The lead single from the album and Mac’s highest charting single ever, the subtle, yet in-your-face “Good News” is here for you to cry to.
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On “Blue World”, Mac sounds victorious and genuinely at ease, despite the devil at his doorstep. So much of Swimming was spent assuring us that Mac was in a positive place, while his tone and musicality alluded to clouds that loomed large in his mind. Mac is effortlessly optimistic over the breezy sample – it sounds like he’s having the same straight-up fun as his earliest material. “Blue World” is probably the most outwardly joyous track on Circles. Every time I listen to “Blue World”, I like to imagine that Mac was religiously listening to 50’s barbershop quartets and French producers Polo & Pan at the same time. Part of the fun of growing up alongside Mac Miller’s artistic evolution was that Mac was a fan to countless influences, and you could tell what he was listening to as he was making each album. Knowing that he’s no longer here with us, the song provides the refreshing notion that Mac’s mentality was to live each day like it might be his last. As he questions why the world seems to be so focused on tomorrow he’s steadfast that he’s here to live for today. With prophetic lines like “I’m way too young to be getting old” and “Before I start to think about the future / First can I please get through today?” the track really resonates as we fully see just how aware Mac was of his presence. I think it fits so well because here we find Mac in the same headspace, questioning life an d the little things that come with it. This is one of the few tracks that was nearly finished before Jon Brion got his hands on it but it still manages to find its place right here at the start. With jazzy, stinging synths guiding the track to the finish line it provides an upbeat kick to a mostly tranquil record. “Complicated” comes in as one of the funkiest tracks on the album. That idea has never felt more realized than it does here. Since 2015’s GO:OD AM, a core value to Mac’s music reflected on the beauty of simply getting by – of taking each day as it comes and finding happiness in the passing moments. He just sounds… good.Īs many fans have observed, it’s as if he’s comforting us from somewhere else, gently musing: “ You feeling sorry, I’m feeling fine, Don’t you put any more stress on yourself, it’s one day at a time.” He speaks with the calm of someone who’s been through countless rock bottoms and has finally found peace. Even as he reflects on his own habits and attempts at change, Miller has rarely sounded so fulfilled, so content.
It’s a heart-wrenching introduction to Mac’s final project, the more so because it’s as if Mac is speaking directly to us, his listeners, his friends, his family. Yet Mac sounds so at peace here, so assured and assuring. Since his passing, so many lyrics have become especially tragic, and it’s near impossible not to think of Mac’s departure as he sings the album’s first words: “ This is what it look like, right before you fall…” The deep hum of a bass softly grazes your ears, lulling you into an air of intimacy that sets the tone for the rest of Circles. If there was any worry that Mac Miller’s posthumous album would ring insincere or illegitimate, it’s title track squanders any concern. An in-depth look at Mac Miller’s posthumous album Circles.
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